Vakeel Saab is an out-and-out Pawan Kalyan show, where he makes his point sometimes with a pen and at times with a punch, observes Joginder Tuteja.
It's very easy to keep up with the children of Bollywood's leading heroes. But what about Bollywood's biggest villains?
On his 60th birthday, we recall the 10 times Hindi cinema's beloved Bhidu was the epitome of cool.
The poster references 2001 Hindi political thriller Nayak, a remake of Tamil film Mudhalvan (1999) in which Kapoor plays a reporter who becomes chief minister of Maharashtra for a day and strives to eliminate corruption.
A look at Mumbai's famous homes.
Joginder Tuteja looks at films set in the jungles.
'The problems that the film explores still remain. It was a different time when we made the film. We were young and we thought we could change the world.'
Today, turning bad seems to have trendy, as A-listers are taking the villain route.
10 grossers where he either had the leading part or played a pivotal role.
To mark World Whiskey Day, a toast to its memorable imagery in Hindi films.
Gadar's sequel will take Tara and Sakeena's story forward.
A year has passed since Shashi Kapoor passed into the ages. His movies live on on television, but Shashiji's greatest legacy must remain Mumbai's Prithvi Theatre, where people came to be entertained, informed and, perhaps, also enlightened.
Joginder Tuteja offers a fresh recap of its 10 most iconic moments.
'Akshay Kumar takes care of each and every person on the sets. He does not waste a second of a producer's time and money. It's no wonder that he is doing films back-to-back because people love him so much.'
Bhediya is an easy, entertaining watch, raves Sukanya Verma.
'The ending Vijay Tendulkar had written was different.' 'According to him, the film ended with Anant Welankar's suicide.' 'I felt such an ending would be too nihilistic.' 'Bahut zyada defeatist ho jaata.'
Everyone should believe in something, she says and she believes in.
On the actress' fourth death anniversary, Subhash K Jha selects his favourites.
Here we are, just hanging out with the stars.
Hrithik's intensity around Mohenjo Daro's rambling spectacle is touching even if the promos pack in more swagger than substance and reveal Gowariker's preference for opulence over realism, feels Sukanya Verma.
Things are off to a good start when a lead movie character appears for the first time against strategic music or swaggering drama and the audience bursts into wholehearted whistles and applause.
There are many patriotic movies lined up in the months ahead. What makes some of these films special is that these have the country's name right in the title itself, what with 'India' and 'Hindustan' finding prominence.
Joginder Tuteja looks at films that didn't do well in theatres but became popular on satellite television or on OTT.
'People sometimes ridiculed him for the way he looked or dressed.' 'Sometimes they ran down his music.' 'But I have never heard him say one bad word about anyone.'
A look at the top tweets from your favourite Bollywood celebrities.
Sukanya Verma shares her exciting filmi week with us.
Harshvardhan Kapoor's vigilante film, Bhavesh Joshi, made Sukanya Verma look back at Bollywood's original vigilante and Harshvardhan's father, Anil Kapoor, in and as Mr India, which released on May 25, 1987.
Smita has left behind a rich haul of films that showcase her enormous ability to offer us a glimpse into her soul each time she performed a role.
Sukanya Verma takes us inside 10 of her all-time favourite movie homes.
Sukanya Verma looks at the many ways fire enjoys a significant presence in our movies.
Milan Talkies cannot decide what kind of a movie it wants to be, feels Sukanya Verma.
During rehearsals, when Dilip Kumar improvised, Gulshan Grover was quick to point out that he had got the lines wrong.
Sukanya Verma's super-filmi week was high on drama.
'I was hesitant initially because I thought Amrish Puri's role was bigger than mine. But when I shot for the film, I realised Adi's casting was so good that no character could be replaced.' Anupam Kher goes back in time.
'Bapusaab was so passionate about cinema that he influenced anyone who came in contact with him.' Anil Kapoor pays tribute to the legend.
Sukanya Verma offers some diversion in in the form of Bollywood's typical torture tactics.
'What can I do for my India except make films that showcase it's greatness to the world, which touch on national issues and arouse the feeling of patriotism?'
